In the early 1980s wanting to make multiples of my work, I stumbled on relief printing; first Lino etching/erosion, and then a decade later, Wood engraving. I found myself continuing with the preoccupations of the 1960s but with one overwhelming consistency of interest running through all the work, a desire to remove tone (black and white) from colour relationships so that the full chromatic (red-blue-yellow) value can be seen.
RH. 1999.
Illustrated opposite is a reduction lino print 63cm x 92cm.